![]() Man is Too Ignorant to Exist.flacġ992 - In The Name Of Suffering/03. Depress.flacġ992 - In The Name Of Suffering/02. Last Year (She Wanted a Doll House) 04:52ġ992 - In The Name Of Suffering/01. Peace Thru War (Thru Peace and War) 01:47ĩ. Non Conductive Negative Reasoning 01:05ġ0. His vocals are harsh, brutal and agonizing to hear and suit the equally agonizing music perfectly to create a very bleak atmosphere of dead hopelessness.Ħ. Williams sounds like he's been drinking and smoking way too much (which probably was the case at one point). Personal struggles that include drug abuse, self abuse, rape, torture and what not are some scary things that are perhaps way too common among us. Front-man Mike Williams writes the lyrics for Eyehategod and they're some of the darkest and most misanthropic lyrics you can come across. There are no lyrics about dismembering children and eating them for breakfast or raping fragile, old women. With their 1992 debut album 'In the Name of Suffering' the band introduced us to the vilest piece of music imaginable without actually getting silly a la brutal death metal/goregrind. Throughout the years, their core line-up has remained, with the exceptions of the bassist, a slot in which several musicians have played, and the death of drummer Joey LaCaze in 2013.Įyehategod are, along with Crowbar, pioneers of the extremely heavy, muddy and just disgusting type of twisted doom metal brewed in the swamps of Louisiana in the late 80s/early 90s known as sludge metal. They have become one of the better known bands to emerge from the NOLA metal scene. Lyrical Themes : Misanthropy, Suffering, Drug abuse, Crime, PovertyĬurrent Line-Up : - Jimmy Bower : Guitars (1988-present)Įyehategod (also abbreviated and referred to as EHG) is an American sludge metal band from New Orleans who formed in 1988. (“Infection is the way, disruptive crowd takes aim/ Burn down the rail yard house, destroy the U.S.A.”).EyeHateGod - Full-Length Discography (1990-2014) Lyrically, the song - like most Eyehategod ditties – is cryptic and abstract, but it touches on the all-pervasive fears bred by an invisible germ storm sweeping through the nation and a society sickened by police brutality. The song starts with a chugging groove reminiscent of SST-era Soundgarden before erupting into a doomy minor pentatonic passage that wouldn’t sound out of place on an ‘80s Saint Vitus album. The first release from the album, “High Risk Trigger,” encapsulates the filth and damaged beauty of Eyehategod. Like Eyehategod’s best albums, including 1993’s Take as Needed For Pain, 1996’s Dopesick and 2014’s comeback Eyehategod, the band’s first new full-length in seven years, A History of Nomadic Behavior, is a blowtorch-distortion and blues-saturated combination of mostly mid-paced songs pierced with scarring pain and disconsolate fury. They played and toured with some of their favorite bands, such as OFF!, Negative Approach, Sheer Terror, Corrosion of Conformity, AntiSeen and the Obsessed. and play exotic nations they’d never visited such as Indonesia, South Korea, Vietnam, Thailand, Israel, Tasmania and more. ![]() They even back-burnered plans to finish the follow-up to 2014’s incendiary Eyehategod album in order to storm stages across the U.S. Back in 2017, all that veteran hardcore/doom-slingers Eyehategod wanted to do was tour, and for about three years that’s all they did.
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